Question

¿ Cómo golpeó el golpe militar en la vida de los Jaivas?
Los Jaivas were originally called High Bass (they took the name from the amplifier) and then the name evolved into that Chilean shellfish that is similar to the crab. Los Jaivas were the first band that made a fusion between progressive rock and Andes folk music using electric rock and Indian traditional instruments. This mixture has also hippie poetic lyrics that speak about happiness, peace, brotherhood and the discovering of the innerself. They appeared in Chilean music in 1963. The Group was formed by The Parra brothers, Mario Mutis and Eduardo “Gato” Alquinta. The band took refuge in Argentina after the military coup and then they moved to France, where they lived for a long time. The first major change in the band occurred in 1988 when Gabriel Parra died in Per˙. His daughter Juanita took his place behind the drums. In January 2003, the lead singer, Gato Alquinta, died in Coquimbo, of a heart attack. His funeral lasted three days, and gathered nearly 250,000 people. Los jaivas have more than 4 decades developing a very unique sound. Todos Juntos, was the most popular song in Chile in 1972 and became a major hit in all South America. It starts with beautiful flutes and acoustic percussions and then an electric bass and charangos enter the scene converting it into some kind of soft progressive rock with a folk vibe, catchy melodies and beautiful electric guitar solos. Its beautiful lyrics translated into English are something like this: It has been a long time since I’ve been wondering why the Earth is round and only one? If we all live separated what are the skies and the seas for? What does the shines upon us for if we avoid looking at each other? ...What to live so separated for? When the Earth tries to bring us together when this world is one and for all of us all together we are gonna live

Answer 1

Respuesta:

Due to the coup d'état and the establishment of the dictatorship of General Augusto Pinochet, Los Jaivas went abroad, initially settling in Argentina. In that country, with the participation of Julio Anderson, first, and Pájaro Canzani, later, instead of Mario Mutis, they produced three albums: one known as El Indio (1976), another with the cooperation of the Brazilian musician Manduka, called Los Sueños de América (recently edited in 1979), and a third entitled La Song de Sur (1977).

Explicación: