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The Last Supper (Il cenacolo) is a mural painting made between 1495 and 1498 by the versatile Leonardo da Vinci (1452-1519). It has been commissioned by Ludovico Sforza for the refectory of the Convent of Santa Maria delle Grazie in Milan, Italy. Leonardo never charged for it. The scene recreates the last paschal supper between Jesus and his apostles, based on the story described in the Gospel of John, chapter 13.
The portrait was made for his benefactor, Duke Ludovico Sforza of Milan. It is not a conventional fresco, but a mural painting made with rubber-based paint and oil on two layers of mortar distributed over mortar. It measures 460 cm high by 880 cm wide. Many specialists and specialists in the history of crafts consider The Final Dinner as one of the most important pictorial works in the world. Fun truths about the painting: -Does María Magdalena appear at dinner ?: Several rumors suggest that María Magdalena appears within the work. This hypothesis was proposed by the creators Clive Sovereign and Lynn Picknett in their book "The Templar Revelation", and by Dan Brown in his novel "The Da Vinci Code": the figure that is shown to Jesus of Nazareth himself, (clarified outside the individual looking at the portrait), it would not really be the witness John, but perhaps a female figure, more particularly Mary Magdalene herself. When doing a comparative work, the supposed figure of the Witness Juan can be observed with the rest of the followers, for a few it appears clear
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Explicación:The Last Supper is a mural painting made between 1495 and 1498 by the versatile Leonardo da Vinci . It has been commissioned by Ludovico Sforza for the refectory of the Convent of Santa Maria delle Grazie in Milan, Italy. The portrait was made for his benefactor, Duke Ludovico Sforza of Milan. It is not a conventional fresco, but a mural painting made with rubber-based paint and oil on two layers of mortar distributed over mortar. Fun truths about the painting: -Does María Magdalena appear at dinner ?: Several rumors suggest that María Magdalena appears within the work. This hypothesis was proposed by the creators Clive Sovereign and Lynn Picknett in their book «The Templar Revelation», and by Dan Brown in his novel «The Da Vinci Code»: the figure that is shown to Jesus of Nazareth himself, , it would not really be the witness John, but perhaps a female figure, more particularly Mary Magdalene herself