why did Leonardo continue with del Verrace
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Explicación:Andrea del Verrocchio, born Andrea di Michele di Francesco de Cioni, known as Verrocchio (Florence, c. 1435-Venice, 1488), was an Italian four-century painter, sculptor and goldsmith. He worked at the court of Lorenzo de Medici in Florence. Among his students were Leonardo da Vinci, Perugino, Ghirlandaio and Sandro Botticelli, but he also influenced Michelangelo. He worked in the serenely classical style of the early Florentine Renaissance.
Leonardo da Vinci
Considered the paradigm of homo universalis, of the Renaissance sage versed in all areas of human knowledge, Leonardo da Vinci (1452-1519) ventured into fields as varied as aerodynamics, hydraulics, anatomy, botany, painting, sculpture and architecture, among others. His scientific investigations were largely forgotten and undervalued by his contemporaries; his pictorial production, on the other hand, was immediately recognized as that of a master capable of materializing the ideal of beauty in works of disturbing suggestion and delicate poetry.
On the artistic level, Leonardo forms, together with Michelangelo and Raphael, the triad of the great masters of the Cinquecento, and, despite the sparseness of his work, the history of painting counts him among its greatest geniuses. For the rest, it is possible that from the powerful fascination that his masterpieces arouse (with the Mona Lisa at the helm) comes that other fascination around his figure that has not stopped growing over the centuries, fed by the multiple enigmas that surround his biography, some of them trivial, like right-to-left writing, and others certainly disturbing, like those visionary inventions five centuries ahead of their time.