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In order to detect this change it is necessary to start from an initial definition of the hero. The term "hero" has a number of implications that transcend the role of "protagonist" in the novel. Literature, from its beginnings in myths, has always counted on heroes. Aristotle already pointed out in his Poetics that imitation could be done in three ways: painting the characters better than they are in reality, painting them as they are in reality or making them appear worse than they are (1).
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